My work is rooted in my history of growing up on a farm, with a family who valued 
and practiced domestic arts: sewing, knitting, painting, embroidery, cooking,  decorating. My artwork comes out of a will to beauty; and an interest in engaging  viewers, and my surroundings. 

 I often use domestic and found objects in my paintings, photographs, and sculptures. For example, I used bowls, sieves, funnels, and other domestic items as molds for paper pulp bead chains. Seeking more durable materials, I started working with ceramics, and made a 4’ long necklace. I referred to knitting patterns, and used metal heating elements, and pie plates to make paintings, and studies. I used natural forms to make models for architectural follies, and designed a tool shed for a community garden. My photograms use coffee filter baskets, campfire toasters, chicken feeders, rug beaters, pie plates, stove parts, etc. as templates to create imagery
 
All this work is environmental - it responds to, and creates environments and spaces, 
using the ideas, methods, and materials of domestic arts.